The ” Story of Pottery “ event is a series of activities held at Kim Ngan Temple (42 – 44 Hang Bac). These activities aim to showcase, introduce, and provide an immersive experience centered around the pottery theme. The event organizers will present to the public a selection of exemplary pottery products from renowned pottery villages such as Bat Trang (Hanoi), Phu Lang (Bắc Ninh), and Chi ceramics workshop (Hanoi). The program showcases the diverse range of pottery products and emphasizes the importance of preserving the cultural value and traditions associated with this ancient craft.
The complete history of Vietnamese Pottery and Ceramics
Early Days of Vietnamese Ceramics
Ceramics have played a significant role in Vietnamese culture for thousands of years, with ancient pottery dating back approximately 6,000 years. During the reign of the Hung Kings, pottery styles like Phung Nguyen and Go Mun emerged in northern Vietnam. Initially, the techniques were simple and primitive, but they gradually became more refined. Ceramics makers achieved firing temperatures of around 800-900°C, which greatly improved the durability of the products.
Vietnamese Ceramics From the 11th Century Onwards
In the 11th century, major ceramics centers emerged, including Ha Bac, Thanh Hoa, Thang Long, and Quang Nam. These centers contributed to the flourishing of ceramics production in what is now known as “the Dai Viet kingdom’s ceramics.” Today, remnants of this glorious period can be found in the products and bricks at places like Phat Tich Pagoda, the Temple of Literature, and Cham towers.
In the 12th century, more ceramics centers were established, leading to advancements in techniques. Ceramics artists developed sophisticated finishing styles, such as celadon and brown enamel products from Thien Truong pottery in Nam Dinh.
The 14th to 17th centuries marked the rise of the Chu Dau pottery center. Chu Dau’s sophisticated hoa lam (“blue flowers”) ceramics set them apart. The pottery reached its zenith in the 15th century and enjoyed immense popularity for three centuries, becoming the most beloved tableware manufacturer of its time. Even today, Chu Dau’s blue-flowered pottery remains highly regarded, and visitors can still explore the Chu Dau pottery village when visiting Vietnam.
In the 15th Century, despite the end of the Tran Dynasty, the ceramics industry continued to flourish. It was during this time that the renowned Bat Trang pottery village took shape. Artisans from Thanh Hoa province made Bat Trang famous for its hoa lam ceramics and celadon and reef-glazed products. Over the years, Bat Trang pottery village has adapted to global demands and grown into the largest traditional pottery center in Vietnam, with its products reaching beyond Vietnam’s borders.
Vietnamese Ceramics in the 20th Century
In the late 18th century, ceramic production experienced significant growth in southern Vietnam. Cay Mai pottery from Saigon-Cho Lon gained popularity for its decorative colored-glazed products. However, by the early 20th century, the Cay Mai pottery art declined after a successful two-century run.
During this time, Vietnamese ceramics continued to advance, perfecting techniques and producing more elaborate dishware. In the 1920s, French pottery art made its way into Vietnam, with Bien Hoa and Binh Duong emerging as major ceramic centers. The fusion of traditional Cay Mai pottery and French Limoges art led to the birth of a new form of ceramics art, characterized by vibrant colors like white, milky white, and blue glaze.
The complete history of Vietnamese Pottery and Ceramics
Vietnamese Ceramics in the 21st Century
Today, Vietnamese ceramics has evolved into a thriving industry. Traditional villages like Bat Trang serve as both production centers and popular tourist destinations. Ceramic companies have modernized their technology, producing beautiful products that meet international standards. Vietnamese ceramics are now exported worldwide. Additionally, the construction ceramics segment has experienced rapid growth, with brands like Viglacera and Thach Ban supplying tiles and sanitary ware for buildings throughout the country.
With a history spanning six thousand years, Vietnamese ceramics has faced ups and downs. While some traditional ceramics centers have disappeared, there are dedicated ceramics makers who continue to keep the art alive. Thanks to their talent and ingenuity, Vietnamese ceramics products now adorn kitchens
Overview about the “Story of Pottery”event
The “Story of Pottery” event takes place at Kim Ngan Temple, located at 42-44 Hang Bac Street. Organized by the Management Board of Hoan Kiem Lake and Hanoi’s Old Quarter, this event aims to introduce the public to a remarkable selection of pottery products from renowned pottery villages in Vietnam. Visitors will have the opportunity to explore the rich heritage and artistic traditions of Vietnamese pottery through a variety of cultural activities.
The event showcases exemplary pottery products from prominent pottery villages, including Bat Trang in Hanoi, Phu Lang in Bac Ninh, and the Chi ceramics workshop in Hanoi. These villages are known for their distinct styles, techniques, and craftsmanship, representing the diversity of Vietnamese pottery. By presenting these products, the organizers aim to highlight the artistry and cultural significance of pottery in Vietnam.
The cultural activities at the “Story of Pottery” event encompass exhibitions, introductions, and immersive experiences that revolve around the theme of pottery. Visitors will have the chance to admire the exquisite pottery creations, learn about the history and techniques behind them, and gain a deeper understanding of the art and heritage of Vietnamese pottery. The event provides a comprehensive experience that engages all the senses and fosters a greater appreciation for this traditional craft.
In addition, at the Center for Information of Hanoi’s Old Quarter Heritage (Hang Buom Ward), there are exhibitions and promotions of tourism products in collaboration between two provinces, Phu Yen and Hanoi. They introduce the history of development and the exquisite craftsmanship of Vinh Ba traditional weaving (Hoa Dong Commune, Tay Hoa District) – a beautiful heritage and an attractive tourist destination in Phu Yen province.
At Dong Lac Temple (Hang Dao Ward), there is an exhibition of lacquerware handicrafts under the theme ‘The Essence of Vietnamese Lacquer Art.’ The public and tourists have the opportunity to interact with traditional lacquer artisans and experience the process of creating lacquerware products.
These additional showcases further enrich the cultural experience of the event and emphasize the importance of preserving and promoting traditional crafts in Vietnam. By showcasing different crafts alongside pottery, the event encourages visitors to appreciate the broader cultural heritage of the country and engage with the skills and artistry of local artisans.
In conclusion, the “Story of Pottery” event at Kim Ngan Temple offers a captivating journey into the world of Vietnamese pottery and traditional crafts. Through exhibitions, introductions, and immersive experiences, visitors can explore the richness, diversity, and cultural significance of pottery from prominent villages. The event serves as a platform to showcase the artistic traditions and heritage of Vietnamese pottery, as well as other traditional crafts, fostering a deeper appreciation for these crafts and contributing to their preservation for future generations to enjoy.
“Story of Pottery” series take place at Kim Ngan Temple
Highlighting the “Story of Pottery” Series
The “Story of Pottery” Event Showcase Exemplary Pottery Products
Pottery, as one of the treasured traditional crafts handed down by our ancestors, has a remarkable history of development spanning thousands of years in Vietnam. The pottery products created by various pottery villages not only serve the practical needs of people in their daily lives but also encapsulate the essence and cultural identity of the Vietnamese people. These pottery villages have been thriving centers of ceramic production since the Ly and Tran dynasties, which existed from the 10th to the 14th centuries. Prominent among these centers are Bat Trang in Hanoi, Tho Ha, Phu Lang in Bac Ninh, Huong Canh in Vinh Phuc, Chum Thanh in Thanh Hoa, and more. Each of these places boasts its own distinct and unique pottery items, contributing to the diversity and richness of Vietnamese pottery.
The “Story of Pottery” cultural activities highlight the exhibition and introduction of exemplary pottery products from Bat Trang (Hanoi), Phu Lang (Bac Ninh), and the Chi ceramics workshop (Hanoi) to the public. These activities provide a platform for the public to appreciate and gain insights into the exceptional craftsmanship and artistic expressions of these pottery villages. The exhibition showcases a selection of exquisite pottery pieces, demonstrating the mastery of techniques, intricate designs, and vibrant glazes that define Vietnamese pottery. By presenting these exemplary works, the event aims to promote and preserve the traditional craft of pottery while fostering a deeper appreciation and understanding of its cultural significance.
The Series Create Insight into Bat Trang Pottery
Mr. Pham Ngoc Huy, a master craftsman from Bat Trang village, eloquently expresses the remarkable qualities of Bat Trang ceramics, stating, “Bat Trang ceramics are beautiful in terms of shape, design, patterns, and characteristic glazes that no other pottery in Vietnam or other countries can achieve.” His words emphasize the exceptional nature of Bat Trang pottery and its unparalleled aesthetic appeal.
Furthermore, Mr. Huy shares valuable insights into the traditional techniques and materials used in the creation of Bat Trang ceramics. He explains that the glazes used in Bat Trang ceramics are meticulously crafted from natural materials, such as clay and stone, without the use of any chemicals. This commitment to using natural elements ensures the authenticity and purity of the glazes.
To illustrate the intricate process, Mr. Huy provides an example of creating a deep brown color in the glaze. He reveals that the materials are derived from the sediments found in the Red River. This natural source gives the glaze its distinctive and rich brown hue, adding depth and complexity to the finished pottery.
Additionally, Mr. Huy mentions the creation of ash glaze, a technique that involves blending lime powder with burnt rice husk. This mixture is then meticulously ground and filtered before being combined with clay to form the glaze. The resulting ash glaze possesses a captivating luminosity and sparkling beauty, setting it apart from opaque mineral glazes commonly found in other types of pottery.
These statements by Mr. Pham Ngoc Huy shed light on the significance and uniqueness of pottery in Vietnam, particularly the renowned pottery villages of Bat Trang, Phu Lang, and Chi. The artisans’ unwavering dedication to using natural materials and traditional techniques not only preserves the cultural heritage but also contributes to the distinctiveness and exceptional quality of Vietnamese ceramics. Their craftsmanship showcases the artistry, ingenuity, and profound connection to nature that are intrinsic to the Vietnamese pottery tradition.
With the creativity and skilled hands of pottery craftsmen, Vietnamese pottery has evolved into a deeply rooted folk art form. Vietnamese ceramic products have been exported to numerous countries.
Artist Nguyen Manh Duc states, “Many countries around the world, including France, Germany, England, the United States, and Japan, import Vietnamese ceramics. The pottery profession in Vietnam is flourishing, especially in Bat Trang. The people of Bat Trang village are highly talented, and the village has been prosperous since ancient times. Bat Trang ceramics cater to various market demands and produce a significant volume in Vietnam.”
The “Story of Pottery” cultural activities serve as a celebration of Vietnam’s pottery heritage, paying homage to the skills and techniques that have been passed down through generations. This event not only showcases the beauty and craftsmanship of pottery but also serves as a catalyst for preserving traditional crafts for future generations. By highlighting the exceptional pottery products from renowned villages, it emphasizes the importance of valuing and continuing these time-honored traditions. Through this event, visitors have the opportunity to immerse themselves in the world of Vietnamese pottery, gain a greater appreciation for the intricate processes involved in its creation, and develop a deeper understanding of the cultural richness embedded within each piece.
Bat Trang Pottery is exhibited at “Story of Pottery” event
The Significance of the “Story of Pottery” event
The series ‘Story of Pottery’ is organized with the aim of preserving the values of traditional craftsmanship by connecting the craft village with the Old Quarter, promoting tourism development, and showcasing the image of Hanoi’s Old Quarter in particular, and the capital city of Hanoi in general. Additionally, it enhances collaboration and exchanges among localities, organizations, and individuals in the preservation and promotion of intangible cultural heritage values in modern life.
The “Story of Pottery” Aims to Connect Viewers to History and Culture
The “Story of Pottery” series create a captivating platform for connecting viewers to the rich history and cultural significance of pottery in Vietnam. Through an extensive display of pottery products, visitors are provided with a comprehensive understanding of the evolution of the craft and the vibrant Vietnamese ceramic culture. The exhibits showcase a diverse range of pottery, allowing viewers to witness the intricate details, unique designs, and exquisite craftsmanship that have been passed down through generations.
One of the key features of the event is the incorporation of interactive exhibits, enabling visitors to actively engage with the art form. Skilled artisans and potters are present to demonstrate their expertise, taking viewers on a journey through the various stages of pottery production. From molding the clay to shaping and glazing, attendees have the unique opportunity to observe the meticulous techniques and precision involved in creating each piece.
Immersing themselves in the stories and traditions of the craft, visitors gain a deeper appreciation for the cultural heritage associated with pottery. Artisans and potters enthusiastically share anecdotes and historical insights, shedding light on the significance of pottery in Vietnamese society. By narrating the stories behind each piece, they provide a context that enhances viewers’ understanding and fosters a stronger connection to the art form.
The educational aspect of the event is emphasized, as viewers gain invaluable knowledge about the techniques, materials, and symbolism embedded in Vietnamese ceramics. This engagement with the history and culture of pottery cultivates a sense of admiration and respect for the artisans who have dedicated their lives to mastering this traditional craft. By fostering this connection between viewers and the art form, the “Story of Pottery” event plays a vital role in preserving and promoting the heritage of Vietnamese pottery for future generations.
The Event Series Fosters Appreciation and Admiration
Hồ Thi Quynh, a student at Hanoi University of Culture, enthusiastically shares her thoughts on the “Story of Pottery” event, expressing her appreciation for the attention to detail in the arrangement of the displayed items. As a young attendee, Quynh is grateful for the opportunity to delve deeper into the history and cultural significance of Vietnam’s traditional pottery villages. She specifically highlights her newfound knowledge about Phu Lang, an area that was previously unfamiliar to her. This showcases the event’s success in shedding light on lesser-known aspects of Vietnamese pottery heritage and expanding the horizons of young attendees.
Quynh’s admiration extends beyond the exhibition itself. She acknowledges the dedication and craftsmanship of the artisans who create these remarkable pottery pieces. Witnessing the entire process of pottery production, from the initial molding of the clay to the intricate glazing and finishing touches, Quynh is in awe of the artisans’ skill and expertise. Her admiration demonstrates the impact of the event in instilling a profound respect for the hard work and talent of the artisans among the younger generation.
By providing a platform for young individuals like Quynh to engage with the art form and gain a firsthand understanding of its historical and cultural significance, the “Story of Pottery” event successfully fosters a sense of appreciation and admiration. It not only educates but also inspires a new generation of individuals who value and cherish the traditional craft of pottery. Through this appreciation, the event contributes to the preservation and continued growth of Vietnam’s pottery heritage for years to come.
The “Story of Pottery” Series Preserve the Values of Traditional Craftsmanship
The series ”Story of Pottery” aims of preserving the values of traditional craftsmanship
The “Story of Pottery”event not only introduces pottery from various villages and representative ceramic styles in northern Vietnam but also serves as a powerful platform for promoting the rich cultural heritage, image, and people of Vietnam to an international audience. Ms. Dao Thi Lien Huong, the Head of the Vietnamese Fine Arts and Cultural Diplomacy Department, emphasizes the significance of Bat Trang ceramics as diplomatic gifts presented by high-level Vietnamese leaders and their inclusion in the decoration of embassies and consulates worldwide. This aspect highlights the event’s crucial role in cultural diplomacy and its contribution to showcasing and promoting Vietnamese culture on a global scale.
The “Story of Pottery” event, organized by the Management Board of Hoan Kiem Lake and Hanoi’s Old Quarter, serves as a significant initiative aimed at preserving and honoring Vietnam’s traditional pottery craft. By connecting the craft villages with the Old Quarter, the event ensures the continuity and recognition of the rich pottery tradition that is deeply embedded in the cultural fabric of the country. The event not only showcases the craftsmanship and artistry of Vietnamese ceramics but also highlights the importance of safeguarding and promoting this invaluable heritage.
By linking the craft village with the Old Quarter, the event series seeks to create a symbiotic relationship where the craft village serves as the authentic source of traditional pottery production, while the Old Quarter acts as the vibrant hub for showcasing and disseminating these cultural treasures. This connection not only facilitates the exchange of expertise and experiences but also fosters a deeper appreciation for the historical significance and artistic beauty of traditional pottery.
Additionally, it enhances collaboration and exchanges among localities, organizations, and individuals in the preservation and promotion of intangible cultural heritage values in modern life.
Through various activities and exhibitions, the event series promotes the significance of traditional craftsmanship to the local community and visitors alike. It highlights the craftsmanship techniques, cultural heritage, and artistic expressions embedded within pottery-making traditions. By showcasing the interplay between the craft village and the Old Quarter, the event series aims to inspire the younger generation to embrace and carry forward these time-honored skills and knowledge.
The Series Promote Tourism Development
In addition to its preservation efforts, The ‘Story of Pottery’ series are organized with the aim of showcasing the image of Hanoi’s Old Quarter in particular, and the capital city of Hanoi in general. It plays a crucial role in boosting tourism in Hanoi, the capital city of Vietnam. By attracting visitors who are interested in exploring the cultural heritage and values associated with Vietnamese ceramics, the event contributes to the growth and development of the tourism industry. Tourists are provided with an immersive experience where they can witness skilled artisans and potters in action, learn about the various stages of pottery production, and gain a deeper understanding of the cultural significance of Vietnamese ceramics.
The “Story of Pottery” event holds multifaceted significance. It not only celebrates the artistry and cultural heritage of Vietnamese ceramics but also serves as a platform for education, preservation, and promotion of Vietnamese culture. Through its efforts in preserving traditional pottery, promoting tourism, and establishing Vietnam as a global hub for ceramic artistry and craftsmanship, the event plays a pivotal role in perpetuating the legacy of traditional pottery and ensuring its continued recognition and appreciation.
In essence, the “Story of Pottery” event is a significant and comprehensive endeavor that encompasses various aspects of Vietnamese ceramics and cultural heritage. The event showcases a wide range of pottery products, providing viewers with a deeper understanding of the history, techniques, and artistic value of Vietnamese ceramics. Through interactive exhibits, visitors have the unique opportunity to witness skilled artisans and potters in action, immersing themselves in the stories and traditions of the craft.
The artisans of the “Story of Pottery” demonstrate their pottery-making skills
Bat Trang Ceramic Exports
The Journal of Taking to the World
In the past, Vietnamese ceramics were exported to foreign countries through small trade routes, with the largest export market being China. However, as the economy underwent significant changes, Vietnamese ceramic exports faced tough competition from cheap Chinese ceramics. The local artisans had to find new directions for Bat Trang ceramics.
The first target market was Taiwan. Taiwan shares a similar cultural background with China, making it highly receptive to ceramic products. The initial Bat Trang ceramic exports to Taiwan included exquisite art ceramics and household items such as small flower vases and beautiful desk ornaments. Subsequently, larger flower pots, large-sized umbrellas, and other intricately decorated ceramics were exported to Taiwan.
Since 1997, alongside ceramic products being exported to Taiwan, they have also been shipped to the Netherlands, Japan, South Korea, and Denmark. The United States and France also import Bat Trang ceramics, although in smaller quantities compared to other markets.
Each export market for Bat Trang ceramics has its own unique characteristics:
- The Netherlands favors a variety of flower pots in different sizes, including glazed and unglazed red clay pots, as well as seasonal flower vases. This preference is due to the Netherlands being known for its tulips.
- The main exports of Bat Trang ceramics to Denmark are tableware sets and large-sized red clay pots.
- The traditional crackled glaze of Bat Trang ceramics is highly sought after by American customers. The majority of Bat Trang ceramic exports to the United States include crackled glaze vases, flower pots, and antique-style plates with subdued colors.
- The three-color glazed ceramics (Tam Thai ceramics), small desk flower pots, and tea sets are popular in the Japanese market.
- In the Korean market, slender and tall flower pots with bamboo motifs are preferred.
Currently, the largest export market for Bat Trang ceramics is South Korea, followed by Taiwan. Plates, teapots and tea cups, and decorative ceramics are also exported, although the quantity is still limited, mainly serving the needs of the Bat Trang diaspora community.
Bat Trang Pottery exported
Top 5 Ceramic Products with the Highest Export Volume
Every year, the ceramic industry contributes significantly to the country’s GDP. According to research and statistics from the General Department of Customs, the annual revenue from exported ceramic flower pots alone reaches millions of dollars. In this article, we will introduce some popular products in the international market.
- Ceramic Flower Pots: Ceramic flower pots, serving as decorative items for homes or meeting agricultural needs, are also exported in significant quantities each year. These products range from large to small sizes, feature eye-catching and diverse colors, and offer competitive prices. These factors contribute to their position as leading exported products. The transportation of flower pots for export is typically conducted via sea routes. After being carefully packed in paper boxes, the goods are loaded into containers to ensure the utmost safety during transportation. The export of ceramics is currently a highly popular industry.
- Tea sets: Hightlight is Bat Trang tea sets, which have gradually expanded their presence in markets such as Japan, South Korea, Europe, and others. The export of Bat Trang ceramics in general, and Bat Trang ceramics in particular, to these markets requires strict adherence to quality standards. The products must ensure safety and health while also aligning with the unique cultural preferences of each region. Traditional tea set designs such as white tea sets and celadon tea sets are highly regarded. Additionally, there has been significant development in premium tea sets with high-quality glazes, including crackled glazes, which have gained strong traction in recent years.
- Ceramic Jars: Ceramic jars used for soaking alcohol, storing food, holding salt, or other perishable items are known for their durability and safety. These jars are made of glazed ceramic material, which prevents water or salt from seeping into the container. They are fired at temperatures ranging from 1200 to 1300 degrees Celsius, ensuring their utmost safety. These jars are effective in preserving food and protecting it from small insects or rodents.
- Hexagonal Vases: Hexagonal vases are considered a popular product in this category. These decorative vases are commonly used to adorn living rooms, luxurious hotels, and upscale restaurants. They are meticulously designed to be visually appealing and elegant, making them highly sought after. In particular, the import of hexagonal vases from Vietnam is in high demand.
- Ceramic Cups and Saucers: Ceramic cups and saucers are the most common products in everyday life. Sets of teacups and saucers are exported in large quantities each year. The simple logo printing on these items is also popular in many markets, especially in the United States.
Top 5 ceramic products with the highest export volume – Flower Pots
Challenges of Bat Trang Ceramic Export
In recent years, the Bat Trang ceramic export market has faced competition from Chinese ceramics. Chinese ceramics are mass-produced, allowing for quick production, diverse designs, and low prices. On the other hand, Bat Trang ceramics are primarily handmade, with outdated machinery and, notably, a lack of supportive policies. Most companies in Viet Nam are small and lack capital, making it difficult to fulfill large orders without sufficient funding or the ability to open shares for borrowing.
It is hoped that in the future, the government will implement more supportive policies to foster the development of the Bat Trang ceramic village. With increased support, the Bat Trang ceramic export market can expand further.
The Procedures for Exporting Ceramics to Countries Around the World.
Export policies for ceramics
Ceramics are a popular choice for many individuals and businesses to export to foreign countries. To facilitate the process, exporters need to follow the correct procedures for exporting ceramic products.
According to current regulations, ceramics are not included in the list of prohibited or restricted export goods, and they are not subject to specialized inspections. Therefore, you can proceed with the normal export procedures.
Export taxes and HS Code for ceramic products
Export taxes for all types of ceramic goods and products must comply with the regulations of the Import-Export Tax Law.
To determine the correct HS Code for a specific ceramic product, you need to consider various criteria, including its function, characteristics, and structure. Based on these factors, you can compare the different codes in the tariff schedule. By applying the rules of code application, you will find the appropriate HS Code for your shipment.
Typically, ceramic products for export have HS Codes in the range of 6909 to 6914.
With the aforementioned HS Codes, the current export tax rate is 0%.
Export procedures for ceramics in Vietnam
Compared to many other products, the export procedures for ceramic products are relatively simpler. This category of goods is not subject to specialized management or the requirement of obtaining permits for export. Therefore, you can follow normal export procedures without any specific requirements.
For detailed information, you can refer to Circular 39/2018/TT-BTC.
Typically, Vietnamese exporters need to prepare the following documents:
- Sales Contract
- Commercial Invoice
- Packing List
- Bill of Lading
- Certificate of Origin
In addition, depending on the requirements stipulated in the contract by the importer, the exporter may need to prepare additional corresponding documents. Therefore, it is important for the exporter to fully understand and comply with these requirements.
Once the goods are packed, the exporter (or through a customs service provider) needs to declare the export customs declaration and go through the customs clearance procedures for the shipment.
When exporting ceramic products, it is essential to pay attention to proper packaging to ensure safety. In reality, this type of product is prone to breakage during transportation.
The above information provides a basic overview of the export procedures for ceramic products to foreign countries.
Read more
Hanoi city tour with vietnam bat trang ceramics village: a memorable experience
Leave a reply